Thursday, April 2, 2015

Cyber Punk and Steam Punk

This genre is driven by fear or anxiety around machine intelligence, and it as a threat to humanity.

Cyborg Manefesto

We fear that machine intelligence will eventually evolve and become conscious that it does not need humanity, and may turn on humans (like in terminator)

Another Motif of this genre is an industrial landscape. The future envisioned in a cyber punk landscape is a vast suburbanization... the future is FILTHY... and the mechanical and industrial world are out of control.

Along with this, industrial body modification is also common with this genre. This is seen as an extension of the human body.

This genre mostly happens in a post-humanist landscape. After Nationalism peaks at WW2 there is a decline in an obsession in this concept. 

Another theme is Corporation

And lastly, in this genre we so often see the "Cyberpunk Heroine". She usually embodies all the attributes of the traditional hero, wears leather and kicks ass.

The matrix encompasses a lot of these genre tropes.

I recently watched Rachel Talalay's 1995, Tank Girl. (based on Alan Martin and Jamie Hewlett's Comic)

It was weird haha. But it pretty much encompassed all of the genre tropes. Theres the evil water corporation, a cyber punk landscape with vast and filthy suburbanization, and the industrial world is out of control. Of course we have the Cyberpunk Heroine as well, Rebecca... kicking ass, sex galore, leather wearing, witty... the works 



Snow Crash by Neal Stephenson

Do Androids Dream of Electric Sheep by Phillip K. Dick

The sub-genres we are reading this week deal in augmented, altered or alternative realities. Discuss the types of reality rendered

Describe the effects of these reality on the narrative and the implications for the presumed reader

Space Opera

Star Warssssss! I've always loved the series from when I was a kid. I remember telling my mom all about this really cool golden robot and his friend the trash can robot and their crazy adventures. Ha! Up until this year, I did not know that there was a genre called "Space Opera". I guess I always knew the genre existed but just never knew the correct term. It makes sense though. I always saw Space Opera as just Sci Fi. I  suppose there are defining elements that set it aside, making it more like a soap opera, having romantic, melodramatic adventures. (No opera music though- at least not yet!)

Space Opera seems to be a very hot genre of late. This past semester, it was the theme for the annual run illustration show. Also Dr. Who, Firefly, and Star Trek seem to be wildly popular with my generation. The media of television seems to be where this genera best grows, because in nature, the soap opera- like stories are episodical.

Although this week I took a chance to re-watch the original Star Wars trilogy. Having a new perspective on the genre offered an interesting/ enlightening perspective looking back.  I'm curious to try watching Firefly. I've heard good things, and I really like Buffy (Also Joss Whedon).  So much good content to explore this summer!


Wednesday, March 4, 2015

Ocean at the End of the Lane, An Urban Fantasy


After reading The Ocean at The End of the Lane for the first time this summer,  I was extremely visually inspired, especially by Gaiman's description of the ravenous Hunger Birds. I made this drawing of my interpretation of them, and to my delight, Neil commented saying that it was very in line with his own vision... flattered!


I'm relatively new to the world of Neil Gaiman actually. I remember seeing the animated movie, Coraline, when it came out in 2009. I was hooked on something about that story, it really got to me.  It was definitely some sort of cautionary tale, but one where children were much wiser and open than the adults. Dark things happened, consequences too, but good seemed to triumph and children seemed to be valued in an honest light, as complex and observant people.

The next Gaiman book I happened to pick up was a couple years after, when a book store was closing and everything was on sale, Odd and the Frost Giants. I began to identify what I like best about Gaiman's voice. He writes children as complex and capable people, he incorporates history and mythology is a very appealing and applicable way, and he writes about darkness in a way that is more revealing rather than evil and and unidimensional.

I began to follow Neil Gaiman's internet presence and was particularly moved by his commencement speech about "Making Good Art," in which he gave advice on leading a creative life. I realized that Neil is very skilled at expressing the human condition, and does not let his craft be hindered by the definitions of media. When he feels like writing a children's picture book, he'll do so... graphic novel, young adult fiction, music, poetry,  screenwriting, fantasy, etc, etc... and I feel that is a terrific way to conduct yourself as a story teller!




This past summer, I was perusing the book section of my neighborhood Costco, and came across, The Ocean at the End of the Lane. I really needed something new to read. I had seen the book being advertised on facebook, the cover was boring, but it seemed short enough, so hot damn, I just bought it and thought I'd give it a shot. Well I'm glad I did. It's one of my favorite books I've read in a while.

As I've noticed in Gaiman's stories, the story book starts off verrrry normally, vague almost. The nameless narrator is going to a funeral and is reminiscing about his childhood. I kept on trying to see what the narrator character's name was, checking if I missed it while reading, but upon finishing the book I knew that it was intentionally never given. I like this. I feel like a lot of the nameless narrator is meant to for the reader to be able to slip into, and a lot of it is a portion of Gaiman himself.

One of the most important parts about this book is the "snipping"and other subtle magic that the Hempstock Women are capable of.  I love how Gaiman writes women, and specifically these three, three generations of the "Goddess Archetype" (Maiden, Mother, Crone) all in beauty, confidence, and wisdom.

Much of this book reminded me of Coraline, where there was something very bad and scary, a monster in the closet if you will, and all adults and authority figures will not believe the child, because they are a child. This is terrifying, and we are left to rely on unlikely friends, uncover powers within ourselves, or make sacrifices to resolve or reverse evil.

The levels of "evil" badness or destruction are captivating in this story as well. The two main ones are Ursula Monkton, the worm, and the Hunger Birds, the varmints. Both are powerful, causing pain and destruction, but it's clear that they are very real forces in our universe that aren't inherently evil. Ursula Monkton just wants to give everyone everything they think they need that will make them happy. She just gives the world what it wants! It works out terribly, but that is her purpose. The Hunger Birds exist to enforce justice and to clean. Sounds good too right? Justice isn't without pain, and sometimes requires sacrifice. When the birds are denied their purpose they devour and destroy the fabric of the universe to clean up messes that have been made by people. This is all a lot to think about. Definitely a tale in being careful what you wish for, and that adults often do not know at all what is actually good for them.

This book is written from a seven year old's perspective, and I really don't think is intended for specifically adults or specifically children, it just is. Although there is disturbing imagery, a scene of intense child abuse, nudity and discussions of corporal punishment, it is definitely within a child's range of capability's to understand the plot, messages, and ongoings.

It was really a good experience to  read through this book again this week! It's a masterful piece, and I feel Gaiman really needed to get it out of his system! Since reading it, I also read American Gods this past summer, and was impressed in an entirely different way. Looking forward to more Gaiman media in the future!

Wednesday, February 25, 2015

Not Just for the Kids

The Novel of Spiritual Education

I can easily say that besides my family and schooling, most of my personal and cultural values growing probably came from Harry Potter.

I took the chance to re-read The Sorcerer's Stone this week, and was delighted to find that it still feels fresh, clever and enriching (as if I expected otherwise.)

Many important topics are covered in this series that have aided to it's success in our generation and beyond. I think this story is important, successful and relatable because it offers a rich variety of characters, and plots that both children and adults can relate too.

Harry Potter is a really good hero story for anyone going through transitions or challenges in their lives (which is basically everyone). I've know it to help kids transition through school, young adults transition after college, and older adults reconnect to magic, creativity and to something bigger.

That "something bigger" is the main thing really. Everyone wants to be a part of the Harry Potter universe, because its all inclusive, and also personal. The Harry Potter books and movies came out at the absolutely most ideal time a series like that could. The series grew parallel with the flourishing of the internet and social media. This allowed fans and readers to make and share, fan fiction, fan art, discuss theories, play role playing games, and just connect in general over exciting and inspiring content!

So Harry Potter definitely had (has) the "get you hooked in, or make you curious what the hype's about" factor, but what makes you stay? Why do generations of people read, reread, demand more content. Why did we wait in lines, shed tears and make a Potter theme park?

It's good content.

 Forgiveness is an over arching theme. Friends and foes must learn to compromise, and a hell of a lot of people I know hold grudges, and refuse to give second chances.

Characters are complex and even the protagonists have a relatable darkness within.

Love is the main theme of the book and is seen through a variety of lenses, taking a variety of forms. Harry's love for his mother forms a protection spell over him. Snape's love (although obsessive) for harry's mother aids to harry's protection and Voldemort's downfall as well. Many different relationships in this series flip love around and look at it from every angle.

Judgement/Categorization in the series always stuck out to me.  We always get excited to find out that house we would be sorted into, but honestly, categorizing a bunch of 11 year olds based on their most dominant qualities seems like a pretty lame idea. I can speak for many for sure, when I say I was not the same person I was at 11 as I was at 17.

Racism/Classism in the Wizarding world is as real as in our own. There are pureblood wizards, halfblood wizards, and muggle born wizards. Judgement is dealt within the community much like in the rise of eugenics, where some families are considered more fit or pure than others. Unjust treatment and parallels to unfair labor are also seen in the treatment of house elves.  For me as a kid absorbing the series, all of these allegories helped open my eyes to real world issues.

Isolation is never easy to deal with at any age. Harry Potter as the protagonist experiences isolation in every direction possible: It he muggle world with his cruel aunt and uncle, in the wizarding world where he is put on a confusing pedestal, and amongst his friends, who cant  understand what he is going through n his connection to Voldemort. These stories, help readers cope with their own isolation.

Destiny, a tricky word. The Harry Potter series shows us how flimsy destiny, prophecies, and all those things are. Although Harry is called "the chosen one", this is kind of a joke. It could have very easily been someone else with a horcrux lodged inside them. Our choices decide our so called destiny, it's not pre determined.

Thursday, February 19, 2015

A Rich Fantasy Life

Tolkien / The Hobbit

Ridley Scott / Legend 



(My sketchbook drawing of The Lord of Darkness from Legend)


Clear distinctions of good and evil
Class and race distinctions and roles

The Hero's Journey 

Joseph Cambpell / The Hero with A Thousand Faces 

This week I took the time to re read most of The Hobbit. I've been wanting to do this after seeing the third Hobbit movie that came out this winter.

I have to say, I enjoy this narrative as a book much more so than in the film. I've always loved the simplicity of Bilbo Baggins, his reluctance towards adventure and his triumphs in connecting to the greater world of Middle Earth through his journey. I feel that the film series over complicated what I loved about the story.

Thursday, February 5, 2015

WITCHES!

Symbol of female empowerment (shifts with the nature of the contemporary world)

Films: Kiki's delivery Service , Hocus Pocus, Malifacent, I Married a Witch

Books: Aunt Maria/ Black Mariah
Male and female power struggle
Balance is restored by a brother and sister team (companionship through bonding)
Witches control minds and thoughts rather that overt, literal and physical magic

Stereotype (lacks observation and relevance to the moment)  vs.  Archetype

Sexuality (power and independence is attractive!)

Tuesday, February 3, 2015

The New WEIRD

What do you think other future trends in the genre of horror might be?

Horror will never go away, we will always need to release our fears. I think new horror genres will always reflect the interests and new advances/ thoughts of a generation. This genre seems to have specifically blossomed in the years of 2007/2008 because of advancements in technology. The future trends of horror will probably continue to be about technology/robots/digital communication, and our fears that come with all of that, but also continuing to call out classic tropes of the horror genre. Everything old is eventually new again. There will always be some money and some interest in remakes or spinoffs of the classics. Maybe people will eventually get tired of variations on zombies!



China Mieville King Rat 



(Books)

China Mieville Railsea 

A general retelling of Moby Dick with a giant white carnivorous mole. There are crisscrossing locomotives instead of ships.


China Mieville / Perdido Street Station 

China Mieville / Kraken 

Cristopher Moore / Practical Demon Keeping



The New Weird
Puts an emphasis on the horrific and uncanny (between real and unreal- but awareness)
Considered a mixture of science fiction, horror and fantasy genres

Slipstream 
Puts an emphasis on the science fiction elements of the story


(Both of these terms dissolved barriers between genres
Usual storytelling conventions don't apply )


Bizarro Fiction 
Similar to "New Weird" and "Slipstream"
Also against the conventions of realistic storytelling
Became popular in 2007/2008


Film genre:"Mumblegore" (independent horror genre)
-micro-budgets
-unknown actors
-improvised dialogue


(Films) 


Various Directors / V/H/S/ (2012)


Todd Browning / Freaks